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This Is Epic

A curation of our design ideas and inspirations for houses in Goa, contemporary art and architecture.

 

 

 

 

Posts in Art
In the Spotlight ~ Rio Lamp by Harshita Jhamtani

We love designs that at once marry form and function and do so with panache. As we design our houses in Goa, we are constantly on the lookout for products that elevate a spatial experience through colour, texture, and shape - all without compromising on functional capabilities. The Rio lamp by designer Harshita Jhamtani delivers all this and more.

The Rio shines in different natural stone finishes ranging from White Travertine, Bheslana stone, Green Forest Marble, and Sandstone, among others. In each case, the designer says, “All the lamps are carved out of a single block and have a fluting detail complimenting the properties of each stone.” The diverse options available ensure that there’s a Rio that works for every design style and every kind of space.

Furthermore, the Rio is built to last. In interpreting sustainability, Harshita Jhamtani qualifies, “As a studio, we believe that the most sustainable practice for a designer to adapt, is to create products that their patrons can buy once and cherish for a longtime. We bring this very dream to life by creating long-lasting unique pieces that shall take a small step towards accelerating the low carbon economy.

Images courtesy Harshita Jhamtani designs


The Rio lamp is minimal, yet artful and robust with its material sensibilities. It is a beautiful way of bringing the elements of the outdoors, indoors. It is timeless in its rustic simplicity.

 
 
The Magical Chapels and Gateways of Goa

A few years ago we were set the task of designing an outdoor spa for one of our projects. The site was a house in Goa and surrounded by spectacular heritage buildings with unique forms and features that are no longer found in present day construction. We decided to use this as the inspiration and decided on a relaxing outdoor spa which would embody some of these details and elements found in these quaint, old structures. We set out to map and document these historic houses, institutions, and simple details of Goa through photographs and drawings. The illustrations below are part of this extensive archival project, and a fun take on some of the beautiful Chapels and Gateways that characterise Old Goa.

 
Goa At A Glance
 

Goa is beautiful and rich in its diversity. It has something to offer to every visitor. In this blogpost, we have created a quick map with some of Goa’s best - your very own printable checklist of what to see, where to go and what to do over your next Goa trip. The map has a mix of old houses in Goa, its most popular beaches, the best natural and wildlife sanctuaries in Goa among other popular destinations. For a detailed breakdown of the differences and similarities between North Goa and South Goa, click on the map to read our analysis comparing the two districts.


 
The Charms of South Goa - Part II
 
House in Goa

Unlike the other colonial powers in India, the Portuguese managed to leave a much more visible mark on the residential architecture of the area they ruled. The British and the French left their mark on the architecture of huge buildings such as assemblies and railway stations which have since become landmarks of the period.

The Portuguese in Goa built residential houses reflecting a style which is hardly found elsewhere on the Indian subcontinent. These magnificent palatial houses inspired by European architectural style are still found in Goa today, although they are confined to the rural areas such as Chandrapura, Chandor and Loutolim. These mansions were built in an era when the Portuguese had handsome profits from their trading colonies in Africa and South America.

This blogpost looks at some of the old heritage houses of South Goa which were inspired by European architectural styles and stand tall even today.


Braganza House

The Braganza House is 350 years old and occupies one entire side of the village square in Chandor. This elaborate mansion is spread over 10,000 sqm and is divided into two wings that are occupied by the Braganza family. The palatial house has a stunning ballroom, massive Belgian crystal chandeliers, exquisite antiques collected over centuries and the oldest private library in Goa with over 5000 books.

 

Palacio do Deao

Palacio do Deao, a 213 years old mansion, was built by a Portuguese noble man, who was the Dean of the Church, and founder of Quepem town. The house faces the Church he built and is on the banks of the wildly beautiful Kushavati River. Here’s a video about the lovely house.

 

Figueirido House

The magnificent Figueirido House in Loutolim took shape as early as 1590, at a time when the Taj Mahal was yet to be conceived. The Figueiredo family had a prominent presence in Goa as lawyers, diplomats and ambassadors. Today, the family has converted part of this palatial home into a historic museum with yet another section opened out as a breathtaking heritage homestay for visitors. Take a virtual tour through this palatial estate here.

 

Casa Araujo Alvares

This 250-year-old mansion belongs to the Alvares family and forms part of the Ancestral Goa tourist complex, set up to recreate Goan village life under Portuguese rule. The house has a spacious courtyard, a quaint chapel at its centre, old European furniture like most of its contemporaries and eclectic seashell windows that bring the beach inside.

 
 

To know more about the hidden gems of South Goa, read The Charms of South Goa - Part I



20 Questions with India Design ID
 
 

I speak to India Design ID, sharing my dream alternate profession in Auroville, and reminiscing a cherished memory involving Anupama Kundoo from her summer internship there. Also watch her expound the charm of New York City, and deliver a powerful message for change, directed at women.
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DESIGNING A HOUSE IN GOA: SERIES PART 13: Green Certification
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As our company policy, we certify all our development projects with green certification from the Indian Green Building Council.

Green Certification often gets a bad reputation as it is a standardized platform of measuring sustainability across various cultures and geographies. We follow the system as we find it to be a good way to keep ourselves accountable to the various aspects of sustainability from the very start of the design process. Certification forces us to keep detailed accounts, and make accurate calculations such that our sustainable efforts are not only in name but are real with measurable impact.

That said, certification is usually the starting point for us in our journey into sustainability. I firmly believe that ‘sustainability is common sense’. In architecture, it involves following sound design principles, respecting the land while planning new buildings and responding to the local climate and conditions.

To pursue sustainability,

  • we must try to conserve the natural resources within our own site (through rain water harvesting, renewable energy use and grey water recycling),

  • use materials and employ design ideas that keep the building interiors cool or warm (and reduce the use of air-conditioning and heating),

  • allow for ample daylight (to reduce the energy use for lighting during the day),

  • use half flushes in bathrooms along with aerators to reduce the water flow in bath and kitchen fittings (to reduce water-use),

  • maximize the use of materials that are produced locally, and

  • use materials with a high recycled content.

These strategies for me are the low-hanging fruit that are easy to achieve with minimal cost escalation in the process. It’s also key to understand the lifespan of materials (regardless of their green features). If they have to be replaced in a short period of time, then they fail the test of sustainability. Finally, to achieve actual impact, we have to think about sustainability at every stage and factor it in every decision during the design and construction process.

LINKS TO PREVIOUS BLOG POSTS:

WHY BUILD GREEN

GREAT ONLINE RESOURCE FOR GREEN BUILDINGS IN INDIA

GREEN FEATURES AT NIVIM

REALTY MAGAZINE: Bridging the Gap between Sustainability & Execution

This article was written by me for World Environment Day and published on realty magazine website.

It feels like we are at war. At war with a virus that has caught the world off-guard. It spreads through air and we don’t have a cure for it, yet. We all recognize that this event will be life-changing and hope that the world can emerge from this only slightly bruised but overall resilient with a strong sense of solidarity, love and respect for humanity. While all our energies are focused on this crisis, there is a bigger elephant in the room where humanity has been on a war footing for some time now, that of climate change as a result of human activities. 

The past few years have seen unprecedented wild fires, droughts and storm cycles around the world. A report by the Ellen MacArthur Foundation predicts that by 2050, there will be more plastic in the oceans than fish. In 2019, Okjokull became the first glacier in Iceland to disappear as a result of climate change. About 3.8 million hectares of primary rainforest was lost in 2019 alone. As per a report by Global Forest Watch, every 6 seconds, an area equivalent to the size of a football pitch of primary rainforest was destroyed in 2019. Entire islands have disappeared due to the rising sea levels in our oceans.

In March this year, while the world took a pause in an effort to contain COVID-19, we experienced and enjoyed cleaner air and cleaner waters- a definitive sign that humans are responsible for the environmental degradation that surrounds us. We have managed to pollute our glorious planet with poisonous gases and non-biodegradable waste, perhaps beyond repair. The silver lining is the speed with which the environment bounced back even with a temporary and short suspension of human activity. Pinning my hope on that, I wish that humankind can possibly mend our ways in an effort to bequeath a beautiful planet to our future generations. 

Architects are generally taught to believe that they have the power to change the world for the better. We do this through design and also through advocacy. So even while we, as consultants, would recommend best practices, the conversion of ideas to real impact was marginal. 

Many a times, Green Certification gets a bad reputation as it is a standardized platform of measuring sustainability across various cultures and geographies. The certification process forces us to keep detailed accounts, and make accurate calculations such that our sustainable efforts are not only in name but are real with measurable impact.

That said, certification is usually the starting point for us in our journey into sustainability. I firmly believe that ‘sustainability is common sense’. In architecture, it involves following sound design principles, respecting the land while planning new buildings and responding to the local climate and conditions.

To pursue sustainability, we must try to conserve the natural resources within our own site (through rain water harvesting, renewable energy use and grey water recycling), use materials and employ design ideas that keep the building interiors cool or warm (and reduce the use of air-conditioning and heating), allow for ample daylight (to reduce the energy use for lighting during the day), use half flushes in bathrooms along with aerators to reduce the water flow in bath and kitchen fittings (to reduce water-use), maximize the use of materials that are produced locally, and use materials with a high recycled content.

These strategies for me are the low-hanging fruit that are easy to achieve with minimal cost escalation in the process. I also think that it is key to understand the lifespan of materials (regardless of their green features). If they have to be replaced in a short period of time, then they fail the test of sustainability. Finally, to achieve actual impact, we have to think about sustainability at every stage and factor it in every decision during the design and construction process. 

To make sustainability a norm, the industry and consumer outlook also must change. We have found that most industry and product vendors still lack awareness on the importance of sustainability and green features in their products. Our perceived association that virgin materials are of superior quality, and reused materials are inferior, needs to change.

Government policy has sadly not been able to keep up with industry efforts and consumer desire for sustainable development. In Goa, when we started our practice in 2010, there was a subsidy for using solar water heaters. That subsidy is now being re-evaluated and not available to users. The policy of net-metering has stayed as a draft and has not been implemented. This makes the use of solar panels for power production not economically feasible for users.

While we endeavor to pursue sustainability as a hallmark in our projects, it is a struggle to achieve cost efficiencies. This process would be easier if we could avail of some government subsidies and programs. I believe that will attract a larger section of the industry to follow the path of sustainability.

As consumers, we should also look for ways to reduce our impact on the environment. Every small step makes a difference. We must remember that simple things can make a big difference. Climate change is a cause where the entire community must come together and play their part. The COVID crisis has evoked a sense of solidarity amongst us to fight a common enemy, I hope we can continue to utilize this positive spirit to fight climate change as well.

JAPANESE MINIMALISM
 
 

I was invited by India Today Home to create a Masterclass for their readers during this lockdown. I recorded a session detailing how one can adapt the principles of Japanese Minimalism in the design of one’s home.

I chose two real-life examples by two contemporary architects I admire- Bijoy Jain and Kengo Kuma- to demonstrate how this has been achieved in their projects. Watch the video here, that has been reposted from India Today Home. This was something I really enjoyed making. 

 

Read On

RECONNECT WITH NATURE . SEED OBSESSION

IMAGE OF MY SEED COLLECTION

Last week, I was interviewed by Priscille H Joseph on her podcast 'Design Talks'. She asked me what I mean when I say 'reconnect with nature'.  I have thought about it, and more than anything 'reconnecting with nature' is about a mindset. We are constantly surrounded by the wonders of nature, 'a reconnection' is possible by simply being in tune with nature and its cycles, and to begin to observe and attach value to nature's wonders that surround us.

I enjoy observing nature closely. I personally have a special fondness for 'seeds'.  I have become somewhat of a part-time seeds collector. I’ve gleaned quite a collection of seeds from my walks and travels, and they are peppered around my apartment. This is an obsession of sorts and I really enjoy admiring their unique forms. 

Seeds come in many shapes and sizes. The primary objective of seeds is to disperse and propagate life. The size, shape, color and smell are all reverse engineered from their method of propagation. Some seeds have the ability to take flight, like the Dandelion and Maple Helicopter Seeds. Others are colorful to attract birds and some have a strong scent to attract large mammals. I am fascinated by this diversity. And more than anything, I am fascinated by the complexity of shape and structure that these seeds present. No person's imagery can do better justice to these wondrous creations than photographer, Mary Jo Hoffman and her Still Blog. I am adding some images below, breath them in....

 
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Kochi-Muziris Biennale 2012

I am due to attend the second Kochi-Muziris Biennale this coming weekend and thought that it was a great opportunity to go back to my notes on the first Biennale held in 2012:

"I loved the show (in 2012), thought it was very well curated, excellently sited in old historic buildings in the historic core of Kochi and was all about celebrating art. I loved the intertwining of art with the historic past of Kochi and its forgotten old buildings. I loved that the art was truly contemporary and site specific. I loved the juxtaposition of history and crumbling infrastructure with new age art employing multimedia technology.

Siting the biennale in old crumbling buildings in the historic core of a city was a masterstroke. I loved how the buildings (exhibition space) were left in their original state. Even when the first instinct would have been to patch them up and to quickly hide away the flaws behind several coats of paint.

The heat and humidity, the sound of the generator, and mosquitoes, all made the experience much more Indian. How wonderful (and democratic) that there was no attempt to air-condition the space, make it shine, make it comfortable for the elite patrons of art. The authenticity of the experience made the biennale specifically Indian with a strong focus on India's plurality of social structure, issues of development vs. displacement, the perception of heritage and other vestiges of the past.

It felt great to walk from one building to next, one space to next, even as one was sweating like crazy, while there was little or no breeze and strong relentless sun overhead.. all because you could not get enough of the ART.

It was interesting to note that many artworks reflected the theme of displacement, conflict and human rights violation due to development or over-development in India. It was wonderful to find contemporary art that was truly a reflection of the most pressing issues in our country today."

More updates soon on the Biennale this year...