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This Is Epic

A curation of our design ideas and inspirations for houses in Goa, contemporary art and architecture.

 

 

 

 

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Discover Arthshila Goa: A New Art Gallery in Nachinola, Aldona

In the quiet village of Nachinola, Aldona, a cultural space has taken root - Arthshila Goa. This art and design space is not just a gallery, but a platform for dialogue, exploration, and immersive experiences across disciplines. Before the campus of Arthshila became what it is today, the building itself had a story of transformation and purpose. Originally imagined as a space called ‘Thinkering,’ the venue was an experimental playground for ideas and creative interventions. Thinkering was a place of conceptual ferment, where artists, architects, designers, and thinkers came together to tinker and ideate. Later Thinkering became Arthshila Goa - a formal extension of the vision of Takshila Education Society

What is Arthshila?
Arthshila is a cultural institute, an initiative by the Takshila Education Society, which has long been committed to promoting education, arts, and public discourse. With other centers in Ahmedabad, Santiniketan, Patna, New Delhi and now in Goa, Arthshila continues the legacy by building interdisciplinary collaboration, curating exhibitions, and hosting events that speak to both local and global audiences. Arthshila Goa, curated by Maanasi Hattangadi and coordinated by Reethee, explores the intersection of art, architecture, cinema, and design.

Since its launch, Arthshila Goa has hosted an eclectic range of curated exhibitions that reflect the ethos of the space - thought-provoking, relevant, and rooted in contemporary discourse. The inaugural exhibition ‘A Desert Meets a Forest: Contemporary Art from the Himalayas; Curated by Latika Gupta’ spoke about a ‘sense of place’ that is difficult to define; geographers, sociologists, environmentalists and psychologists have described it as the particular affective bonds between places and people. The idea of 'place' is continually produced via a relationship with the land, atmosphere, ecology, cultural contexts and the evolving nature of regions, particularly the borderlands which are especially precarious and susceptible to the effects of climate change, geopolitics and unchecked tourism; all of which have an impact on people and their everyday lives and futures. The artists in this exhibition have a deep connection with the Himalayas - from the cold desert high altitude region of Ladakh to the forested borderlands of Arunachal in the Eastern Himalayas; living and working there. The works reflect experiments with material drawn from the land and processes of making that incorporate the wind, water and weather; bringing to us explorations into local histories, ecologies, belief systems and ways of being. During the timeline of this exhibition, events like film screenings, talks, performances, zine making workshops, among others were taking place.

On 22nd March 2025, the new exhibition Kaghazi Pairahan’ opened. A travelling library of artists' publications exploring social and political dissent across South Asia. Curated by Akshay Mahajan & Devadeep Gupta and presented by Editions JOJO, the exhibition showcases photobooks, zines, and pamphlets that examine publishing as a tool of resistance - against state violence, caste oppression, patriarchy, environmental degradation, and censorship. This iteration expands with new works on protest, citizenship, and memory, featuring interventions by Amchem Mollem, Nishant Saldanha, Niharika Chauhan, Krithika Sriram, and
Rajyashri Goody.

The most recent exhibition, on display from 5th July 2025, Lands, Real and Imagined: Women Artists Respond to the Art & Travel Writings of Maria Graham (1785-1842)’. The exhibition features artistic responses by Kavita Shah, Francesca Genna, Isabel Cauas, Leila Danziger, and Paula Bonet - who engage with Graham’s life and work from their distinct cultural and artistic contexts. These responses reflect the curatorial perspectives of Dr. Patricia Frick, a specialist in Victorian literature and women’s travel writing, and Dr. Janice Glowski, an art historian and curator focused on South Asian and Himalayan art.⁣

The Space
Arthshila Goa allows conversation, reflection, and creativity, the spaces offer a range of environments that cater to varied forms of engagement. As you enter the campus of Arthshila, you walk towards the amphitheatre which is the heart of the space. The outdoors serve as an informal gathering zone, ideal for workshops, conversations, film screenings or simply a quiet moment under the sky.

The Galleries (Gallery 1 & 2) at Arthshila Goa invite visitors into a world of artistic exploration. These spaces accommodate a broad spectrum of exhibitions - from painting and sculpture to printmaking, ceramics, textiles, installations, and design. These galleries showcase visual arts, culture, and multimedia formats, encouraging diverse expressions across disciplines.
The Reading Room at Arthshila Goa houses a thoughtfully curated collection of books, periodicals, digital resources, and films focused on architecture, design, and visual culture. Visitors are welcome to explore the library's physical archive, making it a quiet, resource-rich space for public engagement and research.
The Multipurpose Space is a room to host workshops tailored for diverse audiences, accommodating a wide range of interests and competencies. Envisioned as a space for regular collaborative programming, it is also fully equipped to host film screenings, artist talks, and interactive discussions.

The Takshila Vision
The larger body behind Arthshila is the Takshila Education Society, a non-profit organization that supports initiatives in education, arts, and culture. Through Arthshila, Takshila continues to build spaces for critical thinking, dialogue, and cultural engagement. Each Arthshila centre, whether in Ahmedabad, Santiniketan, Patna, New Delhi or Goa, reflects a local sensitivity while aligning with a broader mission of interdisciplinary collaboration.

Why Visit Arthshila Goa?
Whether you're an artist, a student, a researcher, or a curious traveler, Arthshila Goa offers a unique window into the evolving world of art and ideas. So, if you find yourself in Goa and want to go beyond the beaches, head to Nachinola, spend an evening at Arthshila. Let the art speak, the space breathes, and the ideas flow.


Photographs and Posters were taken from Arthshila Goa website and instagram
Photograph credits: Saiesh Mahale & V V Kusum Priya
Text written by V V Kusum Priya


Follow Arthshila Goa:
Instagram: @arthshila_goa
Website: arthshila.org/goa


Plan Your Visit:
Location: 273, Nachinola, Goa
Tuesday to Sunday, 11am to 7pm
Open to all. Entry is free.

The Poetry of Toybox I LIGHT at 4:17 PM

Ever wondered what a 150-year-old house looks like when the light hits it just right?
At 4:17 pm, the balcao comes to life. The oxide seating turns golden, and the plants by the pool lean into the warmth of the setting sun.
It is as if the house, in its own rhythm, syncs with the time of day.
Have you ever felt that your home has its own pulse? A natural rhythm, just like us?
That is when the light hits the balcao just right.
And if you listen closely, you will hear the pool ripple and the neighbor’s chicken complaining about something.
We once caught a frog chilling on the oxide seating - do you think he noticed the groove pattern?

Material trivia: The cement floor has a matte finish with a subtle tactile grain. No polish. Just patience.

Words by @arshita.mehta
Photographs by
@mareena_m_


GOA VILLA FOR SALE
Toybox is a contemporary restoration of a 150-year old Portuguese house in in Aldona village in North Goa, located adjacent to the river Moira.
Register your interest
here.


The Poetry of Toybox I LIGHT
villa for sale Goa

Older homes have a way of keeping to themselves. Like they’ve seen enough of the world and would rather stay curled up. The windows at Toybox were no different — shy little squares, peeking out but never quite stepping forward.

So, we had a quiet conversation with the house. Asked it to open up a little.

We didn’t barge in. We coaxed it. Gently.

Now, there are large sliding-folding teak doors that open wide to the verandah. Custom-built to fit the nearly 24-inch-thick walls - because yes, these walls were built before insulation had a name, and somehow still do a better job.

We carved out light wells and surprise skylights. We added a sculptural window in the kitchen that looks like it might float away. Every new opening is still rooted in the original soul of the house - just a little braver now.

Words by @arshita.mehta
Photographs by @mareena_m_


GOA VILLA FOR SALE
Toybox is a contemporary restoration of a 150-year-old Portuguese house in in Aldona village in North Goa, located adjacent to the river Moira.
Register your interest
here.


Portuguese Sea Forts

Standing at Miramar Beach, gazing at the structure on the nearby hill, I realized how little attention the forts of Goa receive compared to its famous beaches. Living in Goa, the narrative often revolves around the coastal beauty, but these forts hold stories of architectural and historical significance that are equally captivating.

This realization led me to explore more about these forts, and I came across Amita Kanekar’s book, "Portuguese Sea Forts – Goa with Chaul, Korlai, and Vasai." The book delves into the architectural details and historical relevance of these structures. It highlights how the forts were not just military strongholds but also played a crucial role in shaping the regions they protected.

Kanekar’s meticulous research and clear narrative reveal the unique features of each fort, from the sturdy walls of Fort Aguada to the more delicate ruins scattered across the state. She draws comparisons with similar forts in Maharashtra, showing how regional architecture has been influenced by shared histories and geographies.

This book is essential for anyone interested in the historical and architectural fabric of Goa. If you are a history geek and enjoying going to heritage walks, and explorations, this book is for you.

South Goa Heritage Walk by MoCa

At Grounded, where our office has been in Goa since 2010, we often go on heritage walks and bird-watching expeditions as a team to get to know each other as well as to get to know Goa. This time, we ventured into South Goa, villages of Assolna and Velim for a heritage walk organized by the Museum of Christian Art. Headed by Clive Figueiredo and Noah Fernandes. Our walk began at the Holy Cross Chapel Baradi, with stunning views of the area that we were about to explore. Followed by St. Francis Xavier Church, Velim, and Regina Martyrum Church, Assolna. 

Goa has more spoken traditions than written records. One such cultural tradition makes Velim village, important for the locals. The Churches here are not as elaborate as the churches in the north or other parts of Goa but have a historical importance. We started with St. Francis Xavier Church, Velim established in the 19th century. The facade of this chapel has a bell tower at the top center which is neoclassical, and has minimal features having IHS insignia. The facade can also be counted as Art Deco in Goa because of the sunburst on the sides. 

As we went inside the Church we were briefed about the iconography associated with elaborate features of the structure. For example, in Asolna the majority of locals are shipbearers so the Our Lady in the church holds a silver or wooden carved ship in her hand. We also learned about dying features like the Pulpit. Which is not in use anymore and some churches are removing those elements. In this church, because the staircase on the other side of the wall leading to the pulpit is now removed, it just floats on the wall with no way to access it. 

 

Pulpit

 

As the time passes, both the churches have gone through some modifications. We learned how by observing the color, sometimes the material, and intricacy in ornamentation we can tell the time period of that object. Both the churches we visited were of a different time -so we could observe the variations in detail and changes done over time. 

Our final stop was Regina Martyrum Church, Assolna. There is photographic evidence of this church having a fort wall remains in its premises back in the day. This chapel was more elaborate and huge with its school premises, offices, cemetery, and the Cristo Rei monument! We learned about the church and its mosaic tiles, wooden carvings, and iconography. One of the most fascinating moments of the walk was exploring the closet of ceremonial items inside the church building. 

It was a very good effort by the Museum of Christian Art to bring together a group of interested people from different backgrounds. We were also accompanied by residents from the Museum of Christian Art Society for the walk. The heritage walk was not just for architects, it was a wonderful gathering of local enthusiasts, conservationists, and historians, all passionate about Goa's rich cultural fabric. Whether you're living in Goa or you are new to Goa, this heritage walk can help you connect with the city a little better.

Read more about South Goa and Goan Heritage

Déjà vu by hh art spaces

During a recent visit to HH Art Spaces in Aldona, Goa opened in 2014, I saw the ‘Déjà vu’ exhibition, which was a part of a few live performances. This exhibition, photographed by Shivani Gupta, with a focus on performances using masks as props beautifully captured the essence of live performances. The photographs preserved the emotions and energy of the performances, allowing viewers to engage with themes of identity and change even after the live acts ended. One photograph of the exhibit particularly stood out to me, it was Farah Naz Moon’s performance with a green paper sheet.

In this simple piece Called 'How to live together?’, the artist held a large sheet of green paper that moved with her breath and the wind, seemingly merging her with the background. The paper gently covered her face, blurring her identity while locating her presence in the space. Like she was becoming one with her surroundings, not by disappearing but by blending into the context around her.

How to live together?

This reminded me of our architectural practice- Grounded in Goa. When we design villas in Goa, especially with projects that engage with the natural beauty of the land like the House with Three Pavilions and Nivim, we strive for something similar. Architecture that doesn’t dominate but complements. We don’t hide the building behind metaphorical paper sheets, but we design in a way that responds to the environment. 

If you're in Goa and love art, be sure to visit HH Art Spaces in Aldona. Located beside a beautiful St. Thomas’ Church with a stunning view, they showcase exhibitions that bring together contemporary art and performance. It's a must-visit for art enthusiasts, young artists, and art collectors looking to explore something unique.

St. Thomas’ Church

Amdavad ni Gufa

During my recent trip to Gujarat for the FOAID event in Ahmedabad, for a talk about our practice in Goa, Grounded. I visited ‘Amdavad Ni Gufa’ where art meets architecture quite literally. This extraordinary art gallery designed by B. V. Doshi, houses the works of the famous artist M. F. Husain. Also known as the Hussain-Doshi Gufa, the design of the space perfectly complements the art in it. The curves, openings, and enclosures create a unique environment with light and shadow playing beautifully throughout the space.

Amdavad Ni Gufa was born out of a conversation between Doshi and Husain that took place thirty years before the project began. The design was a response to the climate, exploring the benefits of underground spaces. The tortoise shell-shaped roof was computer-aided and employed local craftspeople. Made from ferro-cement and then covered with a mosaic of waste tiles and broken cutlery. These tiles reflect sunlight and help keep the interiors cooler than the outside.

Source: ©Hussain-Doshi Gufa

For art lovers visiting Ahmedabad, Amdavad Ni Gufa is a must-visit. It’s not just about the art on the walls; it’s about the entire experience of being in this space. The Gufa leaves a lasting impression, offering a cool, peaceful environment like an ancient cave of modern heritage.

Sharing Visions at FOAID and Design Perspective Event in Ahmedabad

On 5th July, I had the opportunity to speak at a wonderful evening event at Ahmedabad, hosted by FOAID India and Design Perspectives India. The event brought together architects and industry leaders for a productive conference. One of the highlights of the evening was the opportunity to exchange thoughts with the immensely talented Vin Varavarn from Vin Varavarn Architects in Thailand.

 
 

During my talk, I shared the vision of Grounded Goa, our architectural firm that focuses on sustainable design. I explained our design process and gave the audience a look at some of our key projects, especially our Villas in Goa.

At Grounded, we combine rustic and contemporary styles to create buildings that reconnect people with nature and the simple joys of life. Our goal is to bring fresh air, natural light, and a sense of well-being into every home we design. Goa Villas by Grounded is a special part of our firm that builds unique and sustainable houses in Goa. We take care of everything from design to construction, ensuring that each house reflects our commitment to both beauty and sustainability.

Listening to other speakers and engaging with the amazing audience was truly enriching. A big thank you to Hiren Patel, Dipen Gada, and Grid Architects for attending the event, and a special thanks to Shraddha for the invitation. The evening was beautiful, and I walked away having learned so much.

Old wood new life - recycle material

On one of our Villas in Goa sites for Grounded Villas, we faced the need to cut down a few teak trees onsite. Instead of letting this valuable wood go to waste, we saw an opportunity and decided to reuse it creatively.

Working with a local craftsman, Nereus Drego in Goa, we designed the teak into custom-made furniture pieces. The furniture pieces are a long country table for the eat-in kitchen for Toybox, along with two uniquely designed center tables.

These furniture pieces not only stand out for their beautiful design but also hold sentimental value. It's crafted from the very trees that once were a part of the site, creating a lasting connection. It's our little effort to savor the precious resources of the environment and the trees in Goa.

Using natural materials in our interiors aligns with our philosophy of ecological design by blending indoor spaces with nature. One of the center tables is interactive and designed for a family that opens up into small storage for display. The long table in Toybox's kitchen serves as a focal point, as the double-height kitchen space is the heart of the house. Toybox is about to launch soon! Subscribe to our newsletter to learn more about Toybox and our sustainable design practices.

The design process at the Crescent House in Nandi Hills

Our upcoming project, The Crescent House resides in the Nandi Hills of Bangalore. It has a small site with immediate neighbors and beautiful views in every direction. It was a design challenge to incorporate all the 180° pan views of Nandi Hills from the villa. We tackled this with an innovative experiment.

 
 

The four of us designers of Build Grounded split up on-site and individually came up with four design solutions. After brainstorming on-site for around an hour, we had a discussion. Considering different approaches, we came up with a strategy then and there. A way through it was the amalgamation of all four directions, which later on developed into the actual design of the house.

As the name suggests Crescent House, the main facade of the house is in a crescent shape. The facade has different openings showing different views in different sizes all across the stretch of the Nandi Hills. Soon to be complete Crescent House is under construction but you can still make out the facade taking shape enjoying the views all around.