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This Is Epic

A curation of our design ideas and inspirations for houses in Goa, contemporary art and architecture.

 

 

 

 

Posts in Design
Finding Stillness in Utsav House

Utsav House by Studio Mumbai is a sanctuary of serenity. This elemental yet contemporary house in Alibag by architect Bijoy Jain sensitively makes room for intimate interactions with the surrounding greenery as it effortlessly bridges the indoor with the outdoor. The picturesque scenes and the connections to the tropical context resonate deeply with our values, the natural roots we turn to while designing and building houses in Goa. Built with locally available material and around numerous indigenous trees, Utsav House achieves poetic spaces that have a rustic simplicity without compromising on any of our modern creature comforts. Throughout, the focus is on intentional building and living, through architecture that takes cues respectfully from the terrain and landscapes around.

Visit our previous blogpost on Utsav House here.

Learn more about Bijoy Jain’s Kapadia House, that is now a popular AirBnB here.

5 Ways to Design For Earthy Luxury

Now that you've got this house in Goa, imagine all the things you can do with it to make it your sanctuary. The most wonderful thing about having a house in Goa is being able to enjoy the natural immersion and the seasonal indulgence that comes with it. To us, design is a direct way to enhance comfort, improve quality of living, and create richness in experience within every space.

Design can be simple but generous and luxurious when the right materials and strategies are used. Here are 5 effective ways to create rustic spaces that are designed for barefoot and earthy luxury.

01 Create spacious bathrooms finished with rustic materials that feel great against bare feet.

Find bathrooms designed as sanctuary spaces here.

02 Use a colour palette of subtle shades & tones in neutral monochromatic colours.

Read more about building a neutral palette here.

03 Take advantage of the unique colours, patterns and textures of natural materials.

Learn about using and maintaining wood, lime, and IPS here.

04 Design landscape to mimic a wild landscape as opposed to manicured landscape.

Learn more about natural landscaping and local species here.

05 Practice a bit of wabi sabi where you appreciate and live with site's imperfections and the aging of materials.

Read our blogpost on living with nature.

5 Design Strategies To Connect The Inside With The Outside

We love creating spaces with an intention to reconnect with nature - spaces that allow ample daylight and maximise natural ventilation, that seamlessly transition from indoor to outdoor and facilitate outdoor living. All of these aspirations can be easily realised using 5 key strategies to connect the inside with the outside.

01. Build around site's existing features, elevations, topography and consider restoring habitats.

Try to retain the site in its natural state as much as possible by limiting building footprint and preserving the existing ecological patterns. Before building, take time to observe natural patterns such as sun and shade, rain and drain, dry and lush areas, etc.

Visit the link to learn more about taking a site positive approach.

02. Design for extensive verandahs and incorporate verandahs as transition spaces to take everyday activities outdoors

Design indoor spaces that are flanked by generous outdoor spaces in the form of verandahs and courtyards. You can read our blogpost about the benefits of incorporating verandahs here.

03. Create large openings that seamlessly connect the indoors with the outdoors

Introduce large openings in between these indoor and outdoor spaces which can be opened up to connect the two spaces to allow them to function as one space.

04. Frame views

The openings should be designed to frame views and focus on key natural elements on the site, such as an existing tree, water feature, rocky outcrop, and/ or the views offered by the site.

Find out more about framing views here.

05 Continue the same material from indoor to outdoor and play with finish and texture to create variance

We like to use the same material in the indoor and outdoor space, once again connecting them visually and making them appear as one continuous space. The finish can be slightly altered from space to space ranging from mirror polished to rough cut as seen in the photograph below.

Find our answers to frequently asked questions about using natural stone here.

First Look at A House In South Goa

We have recently started work on a small house for a lovely young family in Talpona village in Goa. The focus will be on indoor-outdoor living and creating opportunities to connect with nature. The project site is contoured and verdant, with lush trees meeting the eye every side we turn. Our vision for the project is to bring land and life together, through timeless contemporary-vernacular architecture. As we explore the relationships between space and site, we ask ourselves repeatedly,

What are the views that we can frame? How can we create open, continuous and connected spaces? How much light and breeze comes through? How can we create pockets around different natural clusters? How will each space change with time to allow for multiple experiences?

 
Looking back at Navovado

Celebrating Navovado, our design-build vacation house in the Goan countryside through a gallery of photographs of the courtyard house. Earlier this year, Navovado won the prestigious Platinum Certification from the Indian Green Building Council. Navovado harvests all of its roof rainwater and recharges the water well on site. The use of low-flow water fixtures further improves water efficiency. Focus on use of insulation on the roof, double-glazed glass, low­energy use appliances, LED lighting and 100% hot water from Solar power makes this home extremely energy efficient. The structure is constructed using locally manufactured materials and materials with a high recycled content such as Laterite stone, Matti wood, Fly-ash brick and Slag cement. The garden is planted using native local species to reduce water use for ir­rigation. Finally, large openings allow for maximum daylighting and cross-ventilation, reducing the energy use for lighting and cooling.

The heart of the home lies in the large central courtyard that is an extension of the kitchen, living and dining space. The courtyard houses the swimming pool and provides a green private space to be enjoyed by all the residents of the house. The courtyard morphs in its use depending on the time of day and occasion. The guest bedrooms on the ground floor are designed as pavilions on either side of the courtyard, while the first-floor bedrooms have a large terrace overlooking the courtyard that connects the two levels.

Find Navovado featured in detail on our Instagram page here.

 
 
Kapadia House by Bijoy Jain

My interest lies primarily in doing what I do, with care. As an architect, the way you imagine opening a door, developing a chair, designing the texture of a wall or a floor, is very important. It’s about quality, about the consideration you apply to the making of something. And it’s about being attentive to the environment, the materials, and the inhabitants. It has to be inclusive.
Bijoy Jain

Images of Kapadia House sourced from Airbnb and Pinterest.

Images of Kapadia House sourced from Airbnb and Pinterest.

As one steps into Bijoy Jain’s Kapadia House in Alibaug, one is instantly witness to poetry through space. Centred around a rustic courtyard grove, the expansive indoor-outdoor spaces of the bungalow flow generously from one to another. The house intimately explores a connection with its trees creating experiences from bark to foliage, as different levels offer varied degrees of interaction with the verdure. With that comes a serendipitous romance with light and shadow, as rays filter through the canopy to make beautiful shifting patterns throughout the day. The house makes liberal use of natural material ranging from rough cut stone to wood, which effortlessly blend into the surrounding landscape while also creating a rustic complement to the otherwise white palette. The careful interplay between texture, form, proportion and light instantly elevate the design from functional to sculptural.

 
 

Kapadia House is listed on Airbnb, and is a must visit for any design lover.

 
How To Build On A Contoured Site
Photograph of Nivim, by Bharath Ramamrutham

Photograph of Nivim, by Bharath Ramamrutham

The opportunity to build on a contoured site can be both a challenge and a blessing. Even as it requires unique structural solutions, a contoured plot of land offers great design advantages. The sloping site automatically facilitates unobstructed views. It allows the building envelope to feel like a private sanctuary because there is no close visual connection with other neighbouring buildings beneath or above. The rolling site terrain also allows the architecture to cascade, creating multiple distinct ways of experiencing the space and its surroundings. For our houses in Goa, we use the following principles to build on terraced sites sensitively and sustainably.

  • When we build on a contoured site, we refrain from cutting or filling excessively. As a principle, the land topography is retained as much as possible.

  • Every contoured site speaks a unique story. The soil, water and vegetation indicate how the site fits into the regional topography. The natural paths created indicate how water flows through the site from higher to lower contours. While designing, we like to take a site positive approach and make minimum alterations to these existing natural systems. This ensures that we are not tampering with the natural water flows within the site, hence avoiding any unexpected flooding during the abundant monsoon in Goa.⠀

  • We also like to keep the site land around these water channels permeable without any cement cover. The natural paving ensures that there is a simple but high functioning rain water harvesting system where water is allowed to percolate into the ground and does not flow down and away from the site, preventing any water deficits in the future.

  • One of our first steps on any site is to understand everything there is to know about the greenery. The kind of vegetation usually indicates where the water collects on site and shows the different kinds of life forms within the site. It helps in developing a cohesive ecological response strategy while designing.

  • Understanding the vegetation also helps us design and build with nature. Unlike flat sites, where one would typically only see the base or trunk of a tree from ground level, a contoured site allows one to interact with the dense foliage of a tree on a higher level and the woody bark of another tree on a lower level simultaneously. We try to find these vistas to celebrate and curate through architecture.

  • We look for terrain and topo sheets to place the site inside its regional context. Most of these sheets are easy to access, available online, and are often on university websites. Once we have an initial understanding of the levels, we model the site in 3D using software such as Google Earth, SketchUp, and Rhino. Most of these software also allow us to geo-locate our contoured plot to check for accuracy.

  • While proposing a design, we usually look at a maximum of a 1m level difference from one space to another. This is done to avoid cutting and filling as much as possible and to move with the land terrain.⠀

  • We love to use a material palette that is either sourced locally or naturally and build using local construction techniques. We take cues from the surrounding sites and buildings around us to identify the most effective and least intrusive construction methods for every piece of land we build on.

Practicing these simple steps helps us to build sustainably and design houses that are gentle on the land they stand on. To know more about the methods, tips, tricks and processes we follow while designing, visit our blog series, Designing A House In Goa.



Sustainable Design - 'Evaporative Cooling' with Ant Studio

In this IG Live session, we speak to Monish Siripurapu, Founder of Ant Studio in Delhi, India. Studio Ant works at the intersection of art, nature, and technology. Through their research and development wing Coolant they have made strides in building sustainable innovations through their all natural air cooling products. In this conversation, we discuss the science and method behind building this cooling system. We understand the system of Evaporative Cooling and the opportunities it presents in different contexts. We also speak about the process of research behind building this product and explore the nuances of parametric design. Tune in to watch our entire conversation.

 
Finding Bawa - Part II

Geoffrey Bawa is an unforgettable and continuous inspiration to most architects. There is an intangible relationship with nature that is so beautifully established. To see our inspiration translate into our work - in design, in spatial character, in connection and reverence towards nature - finding new meaning in every site we build on, feels wonderful and magical.

As we look back on our projects, it feels great to see many of our spaces carrying the sensibilities and sensitivites that Bawa inspired throughout his practice. The following set of images puts our project photos alongside some expertly crafted spaces byt the tropical wizard. It is our ode to the master architect, a reflection of the small but diverse ways in which he has touched our design thinking and building values.

The Balcao Connection

The interesting architectural connection between Goa and Sri Lanka is visibly articulated in elements such as inbuilt seats. The first picture is a site picture of a porch at our project, The House With Three Pavilions. The Goan Balcaos face each other, framing the entrance to the home pavilion. The second photograph is from Bawa's Lunuganga garden, with the in built seats looking out into the surrounding greenscape.

Windows for trees.

There is always time to frame a view. Vistas of green, however small bring a sense of freshness and colour into any space. The first picture is from our project Navovado, as the building volume is punctuated by foliage and fenestration. The second photograph is from Bawa's Garden, the bark of a tree framed through the small verandah window.

Seats built in to live with nature⠀

The first picture is of an insitu seat built next to the champa tree, watching the coconut plantations beyond on site at The House With Three Pavilions. The second photograph is from Bawa's estate, with an in built seat, finished with a wooden railing back, set in the enclosed gazebo to immerse oneself into the sights and sounds of nature around.⠀

A Hidden Pool⠀

The first picture is of a terrace pool overlooking the trees and the hills at our project Nivim. The second photograph is from Geoffrey Bawa's House for Dr Bartholomeusz, with the pool quietly tucked into the indoor-outdoor courtyard.

Finding Bawa ~ The Stairway Composition⠀

The first two pictures are from our project Navovado, looking at the stairway as it adds sculptural value and the play of different levels to one end of the living room. The second photograph is from Bawa's Bentota house, looking at his minimal, yet artistic stairway composition.⠀

Read Part I of Finding Bawa here.

 
 
Finding Bawa - Part I

Geoffrey Bawa is an unforgettable and continuous inspiration to most architects. There is an intangible relationship with nature that is so beautifully established. To see our inspiration translate into our work - in design, in spatial character, in connection and reverence towards nature - finding new meaning in every site we build on, feels wonderful and magical.

As we look back on our projects, it feels great to see many of our spaces carrying the sensibilities and sensitivites that Bawa inspired throughout his practice. The following set of images puts our project photos alongside some expertly crafted spaces by the tropical wizard. It is our ode to the master architect, a reflection of the small but diverse ways in which he has touched our design thinking and building values.

Building with nature

Watching these two pictures side by side leaves us with a sense of achievement and happiness. The first picture is from our project, The House with Three Pavilions in Goa. The second picture is from Ena De Silva's house, built by the master Geoffrey Bawa.

Verandahs celebrating the trees of the land

The first picture is from our project Navovado, looking at the old mango tree preserved during construction on site for this vacation house in Goa. The second photograph is from Bawa's Lunuganga estate, framing the magnificent tree by the lake.⠀⠀

Making greenery part of the building elevation

The first picture is from our project Navovado, as boundaries are blurred between the house and its landscape. The second photograph is from Bawa's Lunuganga country estate, picturing the house among the greenery perceived from the lawn.

A Place in The Shade⠀

The first picture is from our project The House With Three Pavilions, as the semi open corridor faces the internal courtyard on one side, touching it with an in situ seat and transitioning into different rooms on the other sides, each celebrating different views. The second photograph is from Bawa's estate, as the corridor behaves like a verandah even as it connects the indoor spaces from side to side. ⠀

A Welcoming Wilderness

The first picture frames the entrance to a pavilion at The House With Three Pavilions, brought alive with the growth of native plant species. The second photograph is from Bawa's Lunuganga garden, with the entrance pathway bordered by the lush wildscape on one side. ⠀

Read Part II of Finding Bawa here.