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This Is Epic

A curation of our design ideas and inspirations for houses in Goa, contemporary art and architecture.

 

 

 

 

DESIGNING A HOUSE IN GOA: SERIES PART 12: Building Around Trees
 
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While designing our buildings to have a minimum ecological footprint, the first and foremost planning principle for us is to ‘not cut trees’. We value trees as an irreplaceable resource on the planet. The conservation of trees has to be the starting point for any conversation on sustainability.

Often times, the existing trees on the site become the primary drivers for our site layouts and house designs. At the House of Three Pavilions, we utilized an existing ‘Kokum’ tree as the central feature in our building layout. The tree is part of the Kokum tree courtyard that connects the main house with the guest annex.

The recreation block at the House of Three Pavilions is positioned amongst the coconut grove and the windows are designed in a way that it feels enveloped by it.

 
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Navovado had 5 mature mango trees on its periphery. The home was built such that it is enveloped by the trees adding a green screen for privacy. The trees also further shade the house making it cooler in the Goa summers.

 
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Nivim had as many as 13 trees all around the site. 4 were bang in the center. A mix of a sculptural Tamarind and towering Jungle trees, these 4 giants set the stage for a house that was built around these trees.

 
Nivim Trees
 
DESIGNING A HOUSE IN GOA: SERIES PART 11: RAINWATER HARVESTING

I recently read an article on how the wettest place on earth, Cherapunji in the east of India is experiencing water shortages. The news was not overly shocking, as we have all heard about the water woes in Bangalore (where it is believed that the city would have to be evacuated by 2025), Delhi, and all other major cities in India. The slightly shocking part with the Cherapunji story is that it has an abundant source of water in the form of rain, and the reason for its water shortage is simply the ignorant management of resources on the ground.

The story is not much different in Goa as well. Goa receives 300 inches of rainfall during a 4-month monsoon season each year. Inspite of this abundance of rain, there are frequent water shortages in Goa, and the water level in village wells across Goa are dropping at an alarming rate. This makes the significance of rainwater harvesting in houses in Goa of paramount importance.

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In addition, I strongly believe that all new construction in Goa must manage its rain water discharge. We often experience that during the monsoon the excess run off from built areas result in flooding of low-lying areas. As responsible builders, we must accept that the public storm water drainage system is just not equipped to handle the pressure of new development and we must manage our rain water independently and ideally, use the rain water to recharge the underground water table. In Goa, the rain water drainage is closely linked to the cycles of paddy agriculture. These systems have been working for centuries and are the lifeline for paddy agriculture, an important source of livelihood and lifestyle for Goans that must be protected.

As a standard practice across all our projects, we harvest all the rain water from our site as well as from the roofs of the built structures and allow it to percolate back into the ground in an attempt to maintain the underground water table for our site and surroundings. This practice directly supports our larger design intent where we wish to minimize the impact of our building activity on our site and the environment.  

At the House with Three Pavilions in Goa, we have taken rainwater management many steps further by designing a comprehensive water management plan for the entire site. The objective is to retain most of the rain water within the site and to recharge the underground water table, minimizing the impact of the new construction on the land. All the roof rain water runoff is captured and along with the site surface runoff, it is directed into the central seasonal pond. The pond is connected to a newly planned system of bio swales that spread the collected runoff water over a larger site area increasing the rate and extent of percolation on the site. These beauties utilize no cement in their construction and can absorb water through the walls and the base. The bioswales are designed as gabion walls, stone walls within a GI frame, hence are perméable to water. 

The water management system furthers the connection of the home and its residents to nature as the water will ebb and flow with seasons, will encourage the growth of wild grasses and flowers, and retain the land as a home for the diverse insect, reptile and bird life that we encountered on the virgin land prior to construction.

(Water Management Plan in consultation with Pallavi Latkar and team at Grassroots Research Mumbai.) 

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DESIGNING A HOUSE IN GOA: SERIES PART 10 : creepy crawlies & celebrating BIODIVERSITY
 
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CREEPY CRAWLIES!!! 
Try as you might, you can’t keep these beauties out of your lives and homes in Goa! The idea is to co-exist with them. Simple mosquito screens in doors and windows go a long way in keeping them out of your immediate space. Our efforts of sustainability in our architecture and construction is an effort to preserve the beautiful biodiversity flourishing on the sites we built on while we can live in harmony with them. 

Living in Goa is all about looking closely and admiring the lovely colors and patterns that only nature can create. 

 
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DESIGNING A HOUSE IN GOA: SERIES PART 9 : LOCAL MATERIALS & MONOCHROME INTERIOR FINISHES
 
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The earth in Goa is a distinct red color due to a higher iron content hence the laterite stone which is local to Goa has the same red hue and a beautiful porous texture. We tend to feature exposed laterite stone walls often in our buildings and landscaping. We also use red terracotta roof tiles on our building roofs. We find that this allows our buildings to merge into the landscape.

 
 
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RED TERRACOTTA ROOF TILES

In our building interiors, as a thumb-rule we tend to use a single floor finish throughout the house. Our preference has been in the use of natural stone and we tend to use locally available stones such as Kudupah, Kota, Tandoor and Jaisalmer. We often use the same stone in the interior and exterior of the rooms, sometimes varying the texture and finish of the indoor and outdoor stone for a subtle difference that can mostly only be felt under one’s bare feet.

In the building interiors, we also have a great preference for the use of cement finish or IPS. For us, this finish works very well with our desire for an earthy look and feel. An IPS finish feels smooth and cool to one’s touch and its natural weathering, slight patchiness and cracks mimics the imperfections found in nature.

(ABOVE) INDOOR-OUTDOOR FLOORING AT NAVOVADOWe used mirror polished Kota stone in the interior and the verandah in the central courtyard at Navovado. I really like the way the same flooring flows in and out. This accentuates the connection of the ind…

(ABOVE) INDOOR-OUTDOOR FLOORING AT NAVOVADO

We used mirror polished Kota stone in the interior and the verandah in the central courtyard at Navovado. I really like the way the same flooring flows in and out. This accentuates the connection of the indoor-outdoor. I also feel that the faded green color of Kota stone works very well with the green landscape outside. The flow if very pleasing to the eye and not jarring with unnecessary boundaries. We took the Kota in a rough texture on top of the swimming pool edge to once again tie all the elements together into one unified composition. This goes back to our design philosophy, where we feel that the central focus in our houses in Goa must be on the connection with the landscape.

(LEFT) IPS FINISH IN PROGRESS AT THE HOUSE WITH THREE PAVILIONS

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EXPOSED LATERITE WALLS

INDOOR-OUTDOOR FLOORING AT NIVIMWe used mirror polished Kudupah in the interiors and a rough Kudupah in the verandahs.

INDOOR-OUTDOOR FLOORING AT NIVIM

We used mirror polished Kudupah in the interiors and a rough Kudupah in the verandahs.

INDOOR-OUTDOOR FLOORING AT NAVOVADOWe used mirror-polished Jaisalmer stone and a similar color vitrified tile on the terrace. The connection was further highlighted by using Jaisalmer again in the exterior skirting.

INDOOR-OUTDOOR FLOORING AT NAVOVADO

We used mirror-polished Jaisalmer stone and a similar color vitrified tile on the terrace. The connection was further highlighted by using Jaisalmer again in the exterior skirting.

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Designing a house in Goa: Series Part 8 : Contemporising the Goan ‘balcao’
 
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In-built seats are one of my favorite features to design across projects. In-built seats truly capture the ‘sussegad’ spirit of Goa, where afternoons are meant for relaxing in shaded verandahs, napping in the afternoon breeze and enjoying the company of friends and music in the evenings!

In-built seats offer transition spaces for indoor and outdoor living. These are all interpretations of the traditional ‘balcao’ that is so integral to Goan architecture and is seen present in the old Portuguese houses in Goa. The ‘balcao’ emphasizes the importance of enjoying nature and the good life. The images are examples of in-built seats across our projects.

Photography: Sanjeet Wahi

 
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Balcao from front entrance at House of Three Pavilions

 
 
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Outdoor seating at the House of Three Pavilions

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References of traditional balcao

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Outdoor seating at the House of Three Pavilions

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REALTY MAGAZINE: Bridging the Gap between Sustainability & Execution

This article was written by me for World Environment Day and published on realty magazine website.

It feels like we are at war. At war with a virus that has caught the world off-guard. It spreads through air and we don’t have a cure for it, yet. We all recognize that this event will be life-changing and hope that the world can emerge from this only slightly bruised but overall resilient with a strong sense of solidarity, love and respect for humanity. While all our energies are focused on this crisis, there is a bigger elephant in the room where humanity has been on a war footing for some time now, that of climate change as a result of human activities. 

The past few years have seen unprecedented wild fires, droughts and storm cycles around the world. A report by the Ellen MacArthur Foundation predicts that by 2050, there will be more plastic in the oceans than fish. In 2019, Okjokull became the first glacier in Iceland to disappear as a result of climate change. About 3.8 million hectares of primary rainforest was lost in 2019 alone. As per a report by Global Forest Watch, every 6 seconds, an area equivalent to the size of a football pitch of primary rainforest was destroyed in 2019. Entire islands have disappeared due to the rising sea levels in our oceans.

In March this year, while the world took a pause in an effort to contain COVID-19, we experienced and enjoyed cleaner air and cleaner waters- a definitive sign that humans are responsible for the environmental degradation that surrounds us. We have managed to pollute our glorious planet with poisonous gases and non-biodegradable waste, perhaps beyond repair. The silver lining is the speed with which the environment bounced back even with a temporary and short suspension of human activity. Pinning my hope on that, I wish that humankind can possibly mend our ways in an effort to bequeath a beautiful planet to our future generations. 

Architects are generally taught to believe that they have the power to change the world for the better. We do this through design and also through advocacy. So even while we, as consultants, would recommend best practices, the conversion of ideas to real impact was marginal. 

Many a times, Green Certification gets a bad reputation as it is a standardized platform of measuring sustainability across various cultures and geographies. The certification process forces us to keep detailed accounts, and make accurate calculations such that our sustainable efforts are not only in name but are real with measurable impact.

That said, certification is usually the starting point for us in our journey into sustainability. I firmly believe that ‘sustainability is common sense’. In architecture, it involves following sound design principles, respecting the land while planning new buildings and responding to the local climate and conditions.

To pursue sustainability, we must try to conserve the natural resources within our own site (through rain water harvesting, renewable energy use and grey water recycling), use materials and employ design ideas that keep the building interiors cool or warm (and reduce the use of air-conditioning and heating), allow for ample daylight (to reduce the energy use for lighting during the day), use half flushes in bathrooms along with aerators to reduce the water flow in bath and kitchen fittings (to reduce water-use), maximize the use of materials that are produced locally, and use materials with a high recycled content.

These strategies for me are the low-hanging fruit that are easy to achieve with minimal cost escalation in the process. I also think that it is key to understand the lifespan of materials (regardless of their green features). If they have to be replaced in a short period of time, then they fail the test of sustainability. Finally, to achieve actual impact, we have to think about sustainability at every stage and factor it in every decision during the design and construction process. 

To make sustainability a norm, the industry and consumer outlook also must change. We have found that most industry and product vendors still lack awareness on the importance of sustainability and green features in their products. Our perceived association that virgin materials are of superior quality, and reused materials are inferior, needs to change.

Government policy has sadly not been able to keep up with industry efforts and consumer desire for sustainable development. In Goa, when we started our practice in 2010, there was a subsidy for using solar water heaters. That subsidy is now being re-evaluated and not available to users. The policy of net-metering has stayed as a draft and has not been implemented. This makes the use of solar panels for power production not economically feasible for users.

While we endeavor to pursue sustainability as a hallmark in our projects, it is a struggle to achieve cost efficiencies. This process would be easier if we could avail of some government subsidies and programs. I believe that will attract a larger section of the industry to follow the path of sustainability.

As consumers, we should also look for ways to reduce our impact on the environment. Every small step makes a difference. We must remember that simple things can make a big difference. Climate change is a cause where the entire community must come together and play their part. The COVID crisis has evoked a sense of solidarity amongst us to fight a common enemy, I hope we can continue to utilize this positive spirit to fight climate change as well.

JAPANESE MINIMALISM
 
 

I was invited by India Today Home to create a Masterclass for their readers during this lockdown. I recorded a session detailing how one can adapt the principles of Japanese Minimalism in the design of one’s home.

I chose two real-life examples by two contemporary architects I admire- Bijoy Jain and Kengo Kuma- to demonstrate how this has been achieved in their projects. Watch the video here, that has been reposted from India Today Home. This was something I really enjoyed making. 

 

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DESIGNING A HOUSE IN GOA: SERIES PART 7 : Frame Views

We work hard to keep our buildings simple and our focus is on creating exemplary indoor-outdoor spaces that blend seamlessly together. We do this through carefully placed openings/ fenestrations that frame views and focus on the surrounding nature. 

 
Images from Navovado. Photography by Sanjeet Wahi

Images from Navovado. Photography by Sanjeet Wahi

 
 
Images from Navovado. Photography by Sanjeet Wahi

Images from Navovado. Photography by Sanjeet Wahi

 
 
Images from Navovado. Photography by Sanjeet Wahi

Images from Navovado. Photography by Sanjeet Wahi

 
 
Image from our ongoing project House with Three Pavilions.

Image from our ongoing project House with Three Pavilions.

 Image from our ongoing project House with Three Pavilions. 

Image from our ongoing project House with Three Pavilions.

 
 

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DESIGNING A HOUSE IN GOA: SERIES PART 6 : OUTDOOR PAVING

With the goal to reconnect with nature, each element in our homes is designed to be harmonious with nature. When it comes to external paving, we tend to maximize permeable paving rather than creating a non-pervious concrete surface. This typology allows the rain water runoff from the site to be absorbed back into the ground hence allowing the underground aquifers to recharge and reducing the storm water run off from the site that burdens the municipal drainage system (when they exist) and flooding of low lying areas (when they don’t).

 
Verandah at Navovado. Photography by Sanjeet Wahi.

Verandah at Navovado. Photography by Sanjeet Wahi.

 
 
Front Elevation at House of Three Pavilions. Photography by Sanjeet Wahi.

Front Elevation at House of Three Pavilions. Photography by Sanjeet Wahi.

 
 
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Designing a house in Goa: Series part 5 : Natural Landscaping

Landscaping is an important aspect of the design process at Grounded. We usually populate the landscape with native local species to reduce water use for irrigation. Our landscape design aims to blur the lines between the two textures- the verandah flooring, the green cover, and the soil. We pick local species that can co-exist and help give the landscape a naturally verdant look, rather than an unnatural manicured one. 

 
Image of ongoing project House with Three Pavilions. Photography by Sanjeet Wahi.

Image of ongoing project House with Three Pavilions. Photography by Sanjeet Wahi.

 
 
Image of Navovado. Photography by Sanjeet Wahi.

Image of Navovado. Photography by Sanjeet Wahi.

 
 
Image of Navovado. Photography by Sanjeet Wahi.

Image of Navovado. Photography by Sanjeet Wahi.

Image of Navovado. Photography by Sanjeet Wahi.

Image of Navovado. Photography by Sanjeet Wahi.

 
 
 
 
Image of Navovado. Photography by Sanjeet Wahi.

Image of Navovado. Photography by Sanjeet Wahi.

Image of Navovado. Photography by Sanjeet Wahi.

Image of Navovado. Photography by Sanjeet Wahi.

 

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